
Films and books have to stand on their own merits,
but their titles can have more far-reaching effects on our perception of these
merits than we realize. I know it's a cliché to say that you can't judge a book
by its cover, but in some ways you can judge it by its name. Or, at the very
least, I think it's fair to say that your perceptions of a piece of fiction
(either written or on film) are affected in some way by its title.
First off, a title can act as a signifier of the
kind of film or book you're looking at. If, let's say, it's got a serious
sounding title like Doomsday Book, or
The Left Hand of Darkness, you know right
away that you've got something with a certain amount of dramatic gravitas. On
the other hand, you know that Harold and Kumar Escape from Guantanamo Bay is going to be more irreverent and
comedic. Additionally, titles can help you avoid reading or watching something
that you know you're not going to like, usually by situating the movie or book
within a series or genre that you can't stand. When I see a movie called Nutty Professor II: The Klumps, or a
book called Boomerang Bride, I
immediately know to steer clear of them and find something else.
Titles also impart some thematic, poetic, or atmospheric
qualities to their respective films or books. Dune conjures up images of sandy wastelands and searing emptiness,
while Forbidden Planet just oozes
mystery and potential danger. It is in this regard that Alien is such wonderful example of how important a title can be.
Dan O'Bannon, Alien's
writer and creator, had originally called his screenplay Star Beast. That's alright, if you're making a cheesy B movie with
ridiculous fake costumes and a thin, yet fun, storyline. For a film as dark and
tense as Alien, though, Star Beast is way to campy. Can you
picture the glistening, smooth-lined, bio-mechanical Xenomorph being referred
to by moviegoers as the Star Beast? Something about that just doesn't sit right
with me, probably because I think the name sounds somewhat silly and childish,
not fitting for a parasitic death-machine. Alien,
on the other hand, is minimalistic perfection.

Many of the non-English versions of Alien are actually titled The Eighth Passenger (in reference to
the fact that there are seven crewmembers on the Nostromo until the Xenomorph hitches a ride inside one of them). Hopefully
you recognize that name by now (where have we seen it?!). For me, this title
does even more to reflect the film's atmosphere of uncertainty and claustrophobia
than does Alien. Not only does The Eighth Passenger leave much unsaid
about who or what the passenger is (allowing you to fill it in with something
frightening), it also points out that there is no escape for the other seven
people. A ship, or a plane, or whatever you're a passenger on, is a closed
environment, somewhere with no escape. This title thus emphasizes the fact that
the rest of the crew is trapped with this undescribed but obviously dangerous
eighth passenger, and that is exactly how much of the film's horror is
generated. This title, then, helps to both create and add to the film's overall
theme and tone. Rather than being just a silly tag that distinguishes this
movie from others, it actually plays an integral part in generating some of the
fear that viewers are meant to feel. Pretty good for something as trivial as a
title, eh?
Ok, this was far less intellectual than previous posts, but it was what I was thinking about today. I hope you come back again soon. Maybe I'll be more interesting. Or maybe not.
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